Description

Made the switch to all tube gear around November 2009. Never going back to solid state! This system can get very loud, even with "only" 8wpc from the Coincident Frankenstein monoblocks. Nice match with the Zu Essence speakers. Subwoofer adds a lot in a large listening space. Any changes you would recommend?
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Components Toggle details

    • EAR 868
    Full function preamp, upgraded with NOS Telefunken 7DJ8 tubes.
    • MastersounD Compact 845
    30 wpc integrated SET, Shuguang 845B tubes, drivers upgraded to RCA-JAN VT-31's, pre tubes upgraded to Telefunken 12AU7's
    • Coincident Speaker Tech Frankenstein M300B Mk II Monoblocks
    With the upgraded Shuguang Treasure Black Bottle 300B tubes.
    • Ayon Audio Triton
    KT-88, 80 wpc triode, 120 wpc pentode....arrives soon!
    • Ayon CD-5
    Combo tube preamp/CD player. Computer audio ready via USB port.
    • Clearaudio Champion Limited SE
    Only 1000 made; clear acrylic plinth, separate outboard motor, Unify 9" carbon fiber tonearm, Talismann MC cartridge.
    • Zu Audio Essence
    Full range driver augmented with ribbon tweeter, 97 db/watt/m efficiency, custom jet black gloss finish.
    • Aliante Pininfarina One
    Accurate and detailed Italian made monitor.
    • Aliante Pininfarina Vela
    Custom made for the Pininfarina One.
    • Moon M-1 Monitors
    Upgraded LSA-1 monitors, Auri caps, Cardas posts, new crossover. Back up rig right now. With optional stands ($500 extra)
    • JL Fathom F-112
    12 inch driver with three inch travel, self-contained 1500 wpc Class D amplifier
    • Clearaudio Smart Matrix
    Automatic record cleaner. 25 year and older vinyl needs all the help it can get. Works very well.
    • Adcom GTP-400
    Older solid state unit. Emergency backup rig in case the house is destroyed.
    • Jeff Rowland Model 102
    100 wpc Class D amp. Largely relegated to backup duty now. But as it gets dog hot in the summer, may find more usage. Not a huge step down from the MastersounD at all.
    • LG Electronics LE5400
    55" LED-LCD HDTV wall mounted. No surround system; use as two channel video set up.
    • LG Electronics BD590
    Blu-Ray DVD player with wireless connectivity
    • Zu Audio Libtec
    10 foot pair for the Essence
    • Zu Audio Mission LS cables
    10 foot pair, 5/16" spades
    • Nordost Blue Heaven
    Bi-wired 3m pair
    • Signal Cable Ultra
    9 ft bi-wired pair
    • Zu Audio Mission IC
    15 foot XLR pair for the subwoofer.
    • Zu Audio Mission XLR
    5 foot IC
    • Coincident Speaker Tech Extreme IC's
    2 meter RCA pair specifically for the Frankensteins.
    • Audio Metallurgy GA-0 Interconnect
    1.25 meter pair, terminated with NextGen Signature RCA plugs
    • Audio Metallurgy GA-2 interconnect
    1.5m XLR pair
    • Discovery Plus 4
    3 meter XLR pair
    • Signal Cable Analog Two
    Custom made 6'/10' splitter IC to run both the MastersounD and JL Fathom off the Ayon CD5 preamp.
    • Black Mountain Cable Pinnacle Gold Interconnect
    2m RCA pair
    • Coincident Speaker Tech CST PC Power Cords
    6' pair for the Frankensteins.
    • Balanced Power Technologies BP-1 Ultra
    Power conditioner with three high quality power cables, upgraded 15 amp wall outlets. Thanks to my Audio Guy for setting me up.
    • Steve Blinn Designs Three shelf extra wide rack
    Black anodized aluminum frame, walnut stained shelves. Superb isolation. No feedback at all from TT.
    • Steve Blinn Designs Amp stands
    Custom sized for the Frankenstein monoblocks, black anodized aluminum finish and walnut stained maple platforms to match main rack

Comments 47

Showing all comments by jayb77.

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dont forget preamps have a input and output impedence because your cd player or dac goes in then the signal goes out to your amps. But that should be ok considering your high quality equipment but ive seen cases before where that was the whole problem so it never hurts to check!

jayb77

100k ohms is completely normal thats what most good amps are and 50k ohm is great aswell so you want to stay at at least half that so yea 500 ohm 600 ohm is more than perfect! Alright now you at least know how to make heads or tails of some specs which is more than alot of guys do so now your a little ahead in the game! Just always make sure you keep this in mind and if you ever have doubt just try to go against it and then youll understand! Have good one!

jayb77

I hope that helps and explains some of what I meant. Alot of putting a good stereo together involves knowing stuff like this more than just a good ear; however your ear will know the difference.This is really the number 1 reason alot of people hunt forevr and ever and cant ever be happy or check this out people will talk about they never got the right sound until they bought all of their equipment from one company or youll hear in threads about people talking about one cable brand or one brand of equipment though out just gives a synergy or using only one brand of equipment is the way to go,but the reality is if you use one brand then all of the impedences are right everything is supposed to match up so thats the "synergy" or the "magic" of using a single brand of equipment in your stereo. If you just make sure you output impedence(preamp/cd player,ETC) is as low as posibble and its never higher than your input(preamp, amp,etc) youll be fine. For example my preamp is 10 ohms and thats not a missprint 10 ten ohms output impedence so it will match up with anything! I hope this makes sense as knowing this can save you alot of time and money! Not to mention heart ache!

jayb77

Oh tube equipment has very tight tolerances but im not so much talking about interconnects or speaker cable or speaker impedence but the speaker impedence/ohms does have to be right on the dot with tube. You cant go too low but im sure you know that. What I mean is all equipment has output and input impeadence for Ex. your preamp has a output impedence of 10k ohms and your amp has a input impedence of 5kohms well that is a bad match. A rule of thumb is always make sure your output impedence is less than your input impedence. Like if your preamp has an output of 2k and your amp has an input impedence of 10k your golden! With tube this is EXTREMLY important! with tube you want to try to keep your output impedence as close to half of your input impedence. EX. output 5k ohms and amp/input 10k ohms is perfect. I hope this makes sense if not I can give you the email of someone who can explain this alot better that I can. This is one of the things that people over look 90% of the time and 90% of the reason people keep upgrading. Theres nothing wrong with what they have its just the impedence is off so they lose bass and lower middrange and their stuff sounds thin and dry. Kinda like speaker placement alot of problems can be solved by just moving your speakers in or out. Ive got 3 years of electronics so I read specs on stuff and look for these things but most people dont or they look at the wrong parts of the specs. Theres a reason the companies state all those input and output impedences on their specs. Because they are important!

jayb77

Hey do you play drums? Ive played for 25 years well maybe more but when I listen to music I always judge the accuracy of a recording on the drums. Just habit and from the fact that I know what they are supposed to sound like especially the snare. If I dont feel the pop of the snare I adgust until I do.

jayb77

Yea I have a suggestion! Run from tube now before its to late!HA HA! just kidding but as you know it gets expensive and complicated. There are so many variables with tube. Just a word of advice always and I mean always make sure you equipments impedence is all matching. That can break any system but tube is especially prone. Enjoy and have fun!

jayb77