Description

The room is long 33 feet and I listen across the 16 foot side. Front wall is full of mounted African animals. Right side is all glass, two 7 foot windows and a sliding door. YUCK. 
The Grimm MU1 and the Lampizator Horizon  are producing a dream digital sound. I had the full Vivaldi stack  and it was too flat and analytical for my tastes. The Gryphon EVO amp was also hard won after  a Naim DR NAP 300 to Parasound JC1+ to M900u Luxman to ARC 160Ms. The EVO amp is even better than adding the JC1+ bottom end to the ARCs resolving mids, but it's even more rich and engaging.  The two Tube traps on the front wall made a huge improvement in imaging and timbre. Way more contribution than the $1600 cost. The three 6 inch thick 2 by 4 foot GIK panels on the rear wall seemed to make no sonic contribution, but they look good. The Rockport Cygnus have a sound that is both extremely resolving, yet with no harshness that used to be the price paid for resolution. These speakers are highly recommended.
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Room Details

Dimensions: 16’ × 33’  Large
Ceiling: 8’


Components Toggle details

    • Shunyata Research Sigma V2 power cords (6)
    • Tube Traps Tube traps
    16 inch 4 foot tall
    • Grimm Audio MU1
    Streamer, Roon core, digital storage
    • Lampzator Horizon DAC and Pre-amp
    • GSG MiniMarty roundover kits B and C 18 inch sub woofer
    Two kit built cabinets
    • Shunyata Research Everest 8000
    • miniDSP SHD
    used for sub crossover under 25Hz
    • Zimbabwe Cape Buffalo front wall acoustic treatment
    • Shunyata Research Sigma V2 interconnects and speaker cables
    • Rockport Technologies Cygnus
    • Shunyata Research Omega AES
    Omega justified it's cost. This runs between the Grimm MU1 and the Horizon DAC. AES is the preferred method to use to carry the signal to the DAC
    • Gryphon Antileon EVO
    Stereo version of the Gryphon EVO

Comments 11

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Your experience is similar to mine. I started with Pods under my turntable thinking that would be the biggest, and was surprised when the impact on my integrated tube amp was at least as big. With the turntable most of the improvement was eliminating resonance that was coloring instruments, and lowering the noise floor. With the amp it did the same but the biggest improvement was dynamics and a midrange/top end that was a lot more clean and clear and detailed. Similar to what you had, less ringing made the top end clean and clearer than ever. 

Podiums were put off for last, just found it hard to believe anything could really be worth that much money. Didn't take long hearing them to know they are worth every penny.

The Townshend F1 cables by the way have a lot of the same effect. Pods eliminate physical ringing, F1 cables eliminate electronic ringing caused by impedance mismatch. Totally different mechanism, very similar result.

Happy hunting! ;)

millercarbon

Man you are going leaps and bounds lately!

millercarbon